Filmmaker Todd Phillips has a knack for combining drama and dark comedy, most notably in the Hangover trilogy: The gags are funny but the stakes are real and potentially devastating. The same is true of Joker: Folie à Deux, his follow-up to 2019’s extraordinary Joker. Like its predecessor, this is a dead-serious examination of duality and identity, of acting on violent impulses in a physically and emotionally volatile world and… it’s also a musical, and a good one. That’s an extra you wouldn’t expect, and the combination is both challenging and engrossing.
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